Issue 22 (2025)

Introduction Marlene Dirschauer and Jonas Kellermann	1
A Different Kind of Popular History: Shakespeare and the Tudor Monarch Plays Allison Lemley	3
From Tragedy to Tourism: Shakespeare’s Verona and the Interplay of Literary Heritage and Cultural Commodification Lara Stich	16
All the World’s a Stage”, still. Abigail Thorn’s The Prince (2022) Marie Menzel	31
“You were Romeo, I was a Scarlet Letter”: Taylor Swift, Shakespeare, and the Control of Female Sexuality Lorraine Rumson	43
Call for Statements – Shakespeare Seminar für die Shakespeare-Tage 2026	54

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